Through design meeting discussions the director and I determined that we would like to have this NYC apartment reflect both the feeling of the play and of the 2 characters that live here, hence the grey set with cold, hard surfaces. It also made it be able to reflect the operatic lighting the script calls for.
As a side note, I also did the majority of the painting on this set, the marbling being a process I developed on my own, based on two other marbling techniques.
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